And, so, it’s in limbo and lately the studios are fighting.
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So it’s just been in negotiations now since forever, and naturally FOX says ‘Why don’t you do it without Will Smith?’ I said Will is essential for us, for this movie and actually for the audience too. Will wants to do it in some sort of a package they can live with.
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Emmerich told Latino Review: “Dean Devlin and I are still set to make a sequel likely because we’ve found some sort of idea and we approached FOX and FOX has not quite figured out how to incorporate Dean’s and my deal, and Will’s deal. It still didn’t seem like it would happen, mostly because Will Smith was such a huge movie star. But a year later Emmerich reassured fans that he couldn’t shake the idea of an Independence Day sequel, so much so that he approached Fox to try and make a deal. “Everything sounded like a repeat, and we don’t want to do repeats.” A creative droughtĮmmerich was on a bit of a plateau between the release of The Day After Tomorrow and his next film, 2008’s 10,000 BC. Dean and I met two or three times to figure out a way how to continue the story and we couldn’t,” Emmerich told. To the filmmaker it seemed like they couldn’t crack the post-9/11 sequel idea without making it seem like they’re taking advantage of it. Just two years later, during the press tour for The Day After Tomorrow, Emmerich explained that the movie stalled. I think our world did the same thing… so as we started talking about that, a story popped up and Roland and I got very excited.” “How people who had been arguing stopped arguing and started working together.
“The interesting parallel and Independence Day was how the world came together in the aftermath,” Devlin told IGN.
The reason they went ahead was the public reaction following the very real destructive upheaval of 9/11. “I think we finally found a story that we wanted to tell.” “Roland and I, we’re back to work on doing a sequel to Independence Day,” Devlin said in an interview with. They were two years from returning to destroying important landmarks with 2004’s The Day After Tomorrow, but they began work on the sequel to the movie that jumpstarted their careers. By 2002, Emmerich and producer Dean Devlin had gone from the highs of Independence Day to the lows of 1998’s Godzilla and the slightly-lesser-lows of 2000s The Patriot.
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